![]() ![]() ![]() Patel, Isabelle Peretz, Martin Rohrmeier, Constance Scharff, Carel ten Cate, Laurel J. Tecumseh Fitch, Bruno Gingras, Jessica Grahn, Yuko Hattori, Marisa Hoeschele, Henkjan Honing, David Huron, Dieuwke Hupkes, Yukiko Kikuchi, Julia Kursell, Marie-Élaine Lagrois, Hugo Merchant, Björn Merker, Iain Morley, Aniruddh D. The volume aims to identify the basic neurocognitive mechanisms that constitute musicality (and effective ways to study these in human and nonhuman animals) and to develop a method for analyzing musical phenotypes that point to the biological basis of musicality.Ĭontributors Jorge L. Scholars from biology, musicology, neurology, genetics, computer science, anthropology, psychology, and other fields consider what music is for and why every human culture has it whether musicality is a uniquely human capacity and what biological and cognitive mechanisms underlie it.Ĭontributors outline a research program in musicality, and discuss issues in studying the evolution of music consider principles, constraints, and theories of origins review musicality from cross-cultural, cross-species, and cross-domain perspectives discuss the computational modeling of animal song and creativity and offer a historical context for the study of musicality. All of us can perceive and enjoy music, even if we can't carry a tune and consider ourselves “unmusical.” This volume offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Research shows that all humans have a predisposition for music, just as they do for language. Interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. Most recently, we have pioneered a new open access model, Direct to Open, that has enabled us to publish more than 80 open access titles in a single year. The MIT Press has been a leader in open access book publishing for two decades, beginning in 1995 with the publication of William Mitchell’s City of Bits. If you can’t find the resource you need here, visit our contact page to get in touch. The MIT Press has been a leader in open access book publishing for over two decades, beginning in 1995 with the publication of William Mitchell’s City of Bits, which appeared simultaneously in print and in a dynamic, open web edition.Ĭollaborating with authors, instructors, booksellers, librarians, and the media is at the heart of what we do as a scholarly publisher. Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology. MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History. International Affairs, History, & Political Science.MIT Press Direct is a distinctive collection of influential MIT Press books curated for scholars and libraries worldwide. ![]()
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